Community and Bad Eggs

I’ve just come from performing in a theatre/dance/community production called SHORE in Narrm by Emily Johnson and Catalyst. Part of the inaugural First Nations Arts Festival at Arts House, Shore in Narrm was a very lovely, connected and gentle thing to be involved with. The production featured several events culminating in a public feast where everyone was to bring food to share. We were asked to bring a dish, something traditional we shared with our family of origin.

Bit tricky, this was, for me. Fish and chips? Friday was fish and chips night in my mostly non-Catholic family (only my grandfather and stepfather were RCs – both sexual abusers of children; now isn’t that a funny thing?) Fish and chips, however, is an expensive option these days when it comes to catering a feast. The sort of feast taking place here involved things like salted myrtle butter with wattle-seed damper, home-made dukkah created from home-grown, home-dried ingredients, possum and wallaby sausages (New Zealand possums; relax), couscous with garden nettles, all served on indigenous style platters made by local potters out of clay dug up in the area and fired in local kilns. Beverages included mulled ryberry and apple-juice and mint tea made from native mint plants.

In this kind of culinary company Watties Canned Spaghetti on toast wasn’t going to going to cut it, nor would supermarket mince pies and mashed spuds served with over-boiled cabbage and peas. Canned peaches and ice-cream was a family favourite and might been nice but the logistics of getting it there would be difficult to manage. Also, round where I live in Melbourne’s inner north it’s hard to find canned peaches with the traditional ratio of added cane sugar to fruit: 87%/13%.

Ice-cream was already being supplied by Emily Johnson. There was much talk about Emily’s ice-cream which was to be made following a traditional Alaskan recipe. (It seems incongruous that people surrounded by ice and snow would invent an ice-cream but there you go.) This ice-cream, a favourite of her family’s, as she tells it, is usually made with seal blubber. Or fish oil.  Word spread fast and as you might imagine there was a fair bit of anticipation. Emily spoke at the feast and explained that after much experimentation and several telephone conversations between Australia and Alaska, she devised a modified version of the ice-cream using vegetable oil. Pomegranates, another departure from tradition, I assume, were also involved. (I can report that the ice-cream was perfectly tasty, if unusual.)

What could I bring to the feast? Boiled eggs was a safe, although humble, bet. Then I remembered that my grandmother, or my mother, or someone, used to draw faces on boiled eggs when we were kids. I did that for my kids, at least once. I meant to, anyway.  So I boiled up nine eggs and got out my felt pens (which are called textas here), and drew faces on the eggs. I managed to crack one of the eggs by pressing too hard with something called a painty pen. (That’s what you get for owning a drawing implement with a name that’s one letter off the word ‘panty’.)

I had to think about the faces: not as simple as you might imagine. These were all eggs of colour, so avoiding any suggestion of racial stereotype was something to be aware of. Pretty girlie faces with red lips, round pink spots on cheeks and big spidery eyelashes would have been downright sexist and demeaning to women. Male-presenting faces would have been easy to do with beards and mustaches and bald pates but what a gender-heavy clutch of boiled eggs it would be if they were all blokes/trans-men. I didn’t imagine androgynous faces on eggs would be terribly fascinating and m-f transgender faces would have required, well,  pointing out, so that they wouldn’t be taken for ordinary girlie faces, and that was more work than decorated boiled eggs generally require. So I decided to do male- and female- presenting faces but make them generically old looking. There isn’t enough general representation of seniors out there and I do feel (somewhat) strongly about this. I drew wrinkled visages and called them ‘elder eggs’ although I had to hope that my old-faced brown eggs wouldn’t offend any actual elders, of whom the afternoon would be graced by several.

Off I went with my eggs to the feasting. When we arrived we given a postcard to fill out with the ‘story’ behind our choice of dish, to be included in a zine about the feast. We were also given tiny hand-made clay holders which looked like small vulvas in which to put a card informing people what was in the dish. (The holders were made, as we heard later, by potters crushing balls of clay in their fists so each holder comprised a hand-print of its maker: a beautiful detail, you’ll agree, and a telling indication of the thoughtfulness given to the whole occasion.) Anyone could see that these were boiled eggs with faces drawn on them but in the spirit of joining in I filled out a card, anyway.  During lunch I sat at a table with my friend Susie who peeled an egg for her son while holding him on her lap. It’s quite tricky to peel a boiled egg with one hand while holding on to your child with the other but he insisted on her peeling it, no-one else. By the time she’d finished he decided he didn’t want it after all. Kids, eh?

Someone else had brought boiled eggs too but they were curried eggs. My eggs (indulge me here), were perhaps, a tad more interesting. And, as it happens, my boiled eggs were a bit different, as I found out this morning when I ate the egg I’d left behind, the one that been cracked on top. For starters the yolk had a grey ring around it which happens when you boil eggs for too long, rendering them flavourless. That was bad enough. Standing in my kitchen I ate the egg in an absent sort of way while talking to my son about the dramatic nature of an episode of Outlander we’d watched together the night before. Now here’s a thing – as a result of becoming so mindful during the whole SHORE experience over the last fortnight I was focused intently on our conversation. My son and I were experiencing such a nice moment of confluence and connection that I didn’t want to distract myself by noticing that the boiled egg tasted bad. Rather than disrupt my train of thought to register this I kept eating it. Whether this is a reflection of the over-feminised social conditioning of my upbringing, where I’m unwilling to interrupt a man, even mentally, while he’s making a point, even if that man is my own son, or (more likely), it’s an indication of my inability to pay attention to more than one thing at a time, I hesitate to venture, but I ate the whole egg and only afterwards thought ‘oh’.

‘Oh’ ‘s right. That egg reverberated sulphurously and explosively through my digestive system later in the day while I was at the library. I’m lucky that I live in a civilised place where public libraries include public toilets on the premises. Worse though, was the thought that all the other eggs might have been bad too and that my contribution to a positively perfect afternoon, where untold care had been taken and preparation undergone to create an experience of community and abundance, might have given some unlucky person (or people) a horrible dose of the squits.

 

 

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shoes

Here it is – an illustration of a shoe (one of a pair) I own. Bought them at my favourite local op shop. I have tried to upload this shoe several times; I don’t know where they get to… More shoes to come. If I can’t think what to draw, there are always shoes.